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They blamed alcohol. They blamed men. But they blamed women most of all.
The year is 1942, the place Melbourne. A brownout is in effect to dim the night-time lights of the city, and thousands of American GIs are based in Royal Park. As the latter make plans to defend the Pacific, the women of Australia have stepped up to support the war effort at home. Beatrice is doing her part. She's enlisted as an air raid warden, preparing the city ahead of a possible Japanese attack. Her sister June is an operator at the telephone exchange, while her other sister, Lizzie, works as a shopgirl by day and parties with the Americans by night.
But the times are about to change again, and the three sisters will have to navigate the consequences of a new threat as a series of grisly murders are committed in the eerie half-light of the brownout. Inspired by true events, The Brownout Murders tells a story of fear, fortitude, and social change - and how the independence of all women is too often set against the violence of a single man.
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They blamed alcohol. They blamed men. But they blamed women most of all.
The year is 1942, the place Melbourne. A brownout is in effect to dim the night-time lights of the city, and thousands of American GIs are based in Royal Park. As the latter make plans to defend the Pacific, the women of Australia have stepped up to support the war effort at home. Beatrice is doing her part. She's enlisted as an air raid warden, preparing the city ahead of a possible Japanese attack. Her sister June is an operator at the telephone exchange, while her other sister, Lizzie, works as a shopgirl by day and parties with the Americans by night.
But the times are about to change again, and the three sisters will have to navigate the consequences of a new threat as a series of grisly murders are committed in the eerie half-light of the brownout. Inspired by true events, The Brownout Murders tells a story of fear, fortitude, and social change - and how the independence of all women is too often set against the violence of a single man.
This suburban noir graphic novel takes us to the uneasy streets of 1942 Melbourne to remind us of a real-life wartime nightmare. Beatrice and her two sisters (one a communist, one a good-time girl) live with their mum, who’s been struggling to keep control over the household, which has been unruly since her husband died. Beatrice is the responsible sister and becomes an air-raid warden, with all the power invested in her uniform and helmet and rattle, trying to make Melburnians adhere to the brownout regulations, keeping lights low in the evenings. But the tension already shaking their household is cranked up by fears about the war, then cranked up again by the arrival of shiploads of American soldiers: ‘over-sexed, over-paid and over here’, as the saying of the time went. Many were housed at Camp Pell, in Royal Park near the Melbourne Zoo. One of them, 24-year-old Eddie Leonski, sexually assaulted and murdered three women, for which he was hanged at Pentridge prison.
Writers Kelly and Luke Jackson deliver a deliberately restricted point of view on this historical horror. The terrors are a backdrop to Beatrice’s Keep Calm and Carry On routine: coping with rationing; assuaging her mother’s worries; visiting the aunts; and Sunday lunch with a dull, ham-fisted, tin-eared suitor. Crashing through the walls of her suburban life, however, are incidents of surreal power triggered by the murders: a desperate informant on a phone line of which Beatrice is the operator; a mannequin dressed in second victim Pauline Thompson’s actual clothes (complete with a photograph of her face tied around the head); and a terrified night search through rainswept Camp Pell.
Visual artist Maya Graham presents stark, black-and-white images of a brownout Melbourne, all offices, suits, dresses and family spats, in the shadows of which a young, charming, laughing serial killer stalked our ill-lit streets in his well-fitting uniform.
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